|This one isn't so much from my "Pink Period"|
as it looks like someone put a layer or two
of gray varnish all over the photo!
Where is the color and sparkle?
|This one was a little bit better,|
but the white background looks blue.
It was certainly nothing to brag about.
And my point isn't that now I'm so great I get to brag, because I still have a long way to go. But I've been on an interesting journey. And because a journey can take so long, sometimes we forget how far we've traveled. So I thought I take a moment today to show you a few of the photographic "phases" I've gone through these past months.
Following that initial dark pink and blue phase, I tried getting more light on the areas where I was taking photos in my office/studio. I set up two lamps, started using white cloth (rather than various colors) as backgrounds, set the light on the camera as high as it would go, and learned to use the close-up focus. (You can tell I'm still so home-taught I don't know all the real names for things, I just know I need an "S" and a Tulip icon to show up to make it work! Thank goodness I learned that! Bad news was, the photos still appeared too dark, even when I tried to lighten them afterward.)
I knew I needed a lightbox, but that didn't seem very possible at the time, and I started learning how outdoor photography and natural lighting were becoming more popular anyway. So I grabbed my camera and headed out of doors!
I had very mixed luck--as I often spoke about here on the blog. Some photos pleased me:
And others, I just couldn't figure out how much light to use, which direction to shoot, or where I should be. Shadows were another problem.
BEFORE: (Pink) AFTER (Outdoors--Better but with shadows):
Then the weather became cold and I had to move indoors again. I began experimenting with props in the photos. Some of my favorites were some ivory-colored sea shells. It seemed to work at times and at others, I would have the same old pink/blue lighting problems.
I think this one actually turned out better than most.
But even though so many of my outdoor shots had turned out poorly, I felt that most of my best shots had been taken outside. I had to find a way to replicate that natural light indoors.
Then it occurred to me one day that I could. We have a nice large beautiful window in the living room that was installed last year. Where we once had blinds, we put up sheer ivory curtains to filter, but not keep out, the light. I gave it a try with my jewelry. And it was SUCH an improvement!
Remember this bracelet from above?
These 2 photos are of a necklace
I entered in an Art Bead Scene Challenge.
|Not same pair of earrings as in first photo, but similar.|
I like this much better! How about you?
I also joined the Studio Waterstone "i heart macro" group and practiced close-up photography which I post on this blog each Sunday. That has taught me a lot about camera angle, range, focus, and how much you can do with a simple digital camera.
I rather thought the story would end here, but very recently, a bead artist and photographer took a look at some of my photos and mentioned that the silk-like fabric of the curtains I was using to lay my jewelry on was something of a distraction. I was surprised, thinking these my very best! But the longer I studied them, and compared to some of his, I realized how true his comments were.
While the soft folds and filtered light of the curtains were something I liked, they also could take away from the jewelry in some of the photos. Sometimes the fabric would puff up around the piece, nearly swallowing it up. At other times, it appeared wrinkly. Still others, interesting seams that I thought added to the photograph, actually drew attention away from the piece of jewelry I wanted to highlight.
What to do?
I experimented again, and again, and finally came up with this "solution" which I'm currently trying. I like it better, but can still find fault with it. I'd like to hear what you think...
Please, I need your advice. You tell me, are the reflections here a problem? (The top photo is different than the last 2. There is a bit of foam beneath it.)
I hate to admit what I'm using to do this. Perhaps you can guess...
It would be the flip side of this
CorningWare pie dish.
I've had it for years and never used it.
But I'm still in the front window.
Using natural light.
In a future post, I'll show you a series of photos of the same object taken in different settings and would like to see what you think. I'm very open to feedback about my photography. Tips and suggestions are always welcome! Sometimes the more negative comments (kindly worded, of course) are the most constructive too. So please feel free to be honest. That's how I learn!
I haven't mentioned the names of those who have given me guidance along the way. I would be very happy to give them credit, I'm just not sure if each of them want it in this case. Hopefully they will know how very much I've appreciated their very helpful feedback.
Best wishes to all,
P.S. I was thinking it might be fun to hold a "photography challenge" of some sort. I'm not sure what the limits would be, if any. I'm thinking that maybe rather than photographing jewelry, we might photograph a pile/arrangement of beads or even a single bead. That way, every one sort of starts out at an even place. Then we could do a blog hop and show off our photos. Anyone without a blog would be welcome to post their photo here.
Would anyone be interested in this type of challenge? (It would be yet another opportunity for drawings for prizes!) :-) Think about it and please let me know!
If anyone knows of this challenge already being done, please let me know that too. I've suggested it unaware of any other, and wouldn't want to encroach, or duplicate what anyone else is already doing.